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>> NEWS Korperschwache: Black Dust NOW RELEASED : : 12 July 2010. Colony Records is super thrilled to be able to release our first CD by Korperschwache, called 'Black Dust'. Crossing boundaries of sonic exploration, mixing sonic dirges with black metal and pure noise, and compounded by proto-industrial drum programming, BLACK DUST is a bold work from one of the most pioneering blackened noise guitar musicians working today. One of the most drum-based works issued from Korperschwache in their intense creative output, BLACK DUST sees the band weave one of their most cohesive and ambitious albums to date. The drum-based nature of the album allows a rigorous background for sonic exploration and the epic guitar drones Korperschwache is renowned for, and for the first time, the track Black Dust itself features their use of a rather mysterious Cosmic Space Organ. CDR, handmade cover with obi strip. Order now at the Store page. €9 inc postage anywhere. Is it dark enough for you yet – new To Blacken the Pages 30 minute track to be released soon New 30 minute track commissioned by Wereju at Idrone Park records for a compilation cassette box set. To be released summer 2010. Check out Wereju’s MySpace page for details to be announced shortly. This features To Blacken the Pages most recent work, and witnesses a departure of sorts from previous releases. Based on layers of clean but impossibly loud layers of guitar, at various stages of echo and delay, Is It Dark Enough for You Yet also sees a strong vocal presence from McAree, which steers the track into new territory. To Blacken the Pages - free stuff To Blacken the Pages free music downloads from a few different sites, including Bandcamp, Last FM, Myspace. Check out Bandcamp for the latest freebies - more added every month. Most of these freebies will be available from now on via the Bandcamp page. Just added: 'Night Drive' off the CD 'North'. Check back regularly for more freebies and exclusives. Also at Bandcamp right now: a new track off Korperschwache's 'Black Dust' cd and a collaborative track from To Blacken the Pages & Korperschwache's 'A Way Dark' CD. Colony Records - now ALL To Blacken the Pages releases on sale!!! See Webstore on this site or over a t Colony Records web store for details. Most recent CDs now only €10 inc postage to anywhere, Korperschwache's 'Black Dust' is only €9 inc postage to anywhere, and earlier TBTP releases as low as €7. 'NONE' now only €7, A Semblance €8, The Urgency and 'And we started...' both €8 each. TBTP & Korperschwache's 'A Way Dark' now only €10. The Black Hole Series To Blacken the Pages and Colony Records announce the 'Black Hole' series of releases. These will be a new series of limited, mini-cd releases to feature 10 different artists. Names to be announced shortly. First to kick off the series will be To Blacken the Pages on Monday 4 October 2010. The format of the mini cd asks each each performer to think of something new within the confines of the 20 minute disc. The series aims to showcase some of the most engaging music being made today by solo guitar performers. Each CD in the series will be priced at €5 including postage anywhere. Stay tuned for previews and free downloads. Pre-orders available from 20 September. To Blacken the Pages & Korperschwache, plus other projects To Blacken the Pages and Korperschwache are working together again on the follow-up to their successful double CD, A Way Dark. They had so much of blast on their first outing, they're doing it again. Recording beginning now, expect a release in 2011. To Blacken the Pages is also working with several other musicians on a soon-to-be-released album. We're keeping this one a surprise for the moment, but its a project bringing together musicians from across the US, Ireland, Canada and Norway. Expect an announcement late 2010. To Blacken the Pages - new video To Blacken the Pages have a new video on Youtube, an edit of 'Night Drive' off the CD 'North'. The full length will also be available on other sites and on TBTP's website. YouTube: http://www.youtube.com/user/toblackenthepages | ||||||||||||||
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TBTP & Korperschwache track on CD with Dutch magazine Gonzo (Circus) now! Abandoned Car at the White Cliffs of Dover is one of the new tracks from the now available double collaborative album between TPTP & Korperschwache, and is also featured on the latest issue of the CD free with Gonzo (Circus). Check it out here: | ||||
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Album orders + FREE track download Download Inside the Mariana Trench for FREE right now. Inside the Mariana Trench is one of the new tracks from the now available double collaborative album between TPTP & Korperschwache. Get it completely free over at our Bandcamp page. Click HERE for the free download.
Album orders Over at the Store page you can now order K&TBTP's 'A WAY DARK' album. Orders ship with bonus free goodies until further notice... first come first served..!
iTunes, emusic, Rough Trade, Aquarius, Crucial Blast A WAY DARK is also currently available on iTunes and emusic, with copies also available in Rough Trade London. Aquarius and Crucial Blast will be selling copies soon. | ||||
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Press Press for A Way Dark - Rock Sound and Rock-a-Rolla. More soon. | ||||||
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A WAY DARK 9 November 2009 sees the release of a collaborative double album between Austin Texas-based Korperschwache and Dublin's To Blacken the Pages. Recording began in late 2008 and saw the two artists work in directions neither have previously explored - from lighter, shoegaze inspired tracks, to harder, more abstract compositions, and of course exploring the juxtaposition of each artist's extreme guitar work. The final track is a 38 minute opus called 'Stranded in the Hertzsprung Crater'. Colony Records (Dublin) will release the 10 tracks over 2 CDs on 9 November 2009. Album is called 'A Way Dark' KORPERSCHWACHE & TO BLACKEN THE PAGES: A WAY DARK 2 x CDs Track Listing: CD1 Lovecraft (10:45) Sonic Kingdom (11:20) Black Dawn (9:51) The Fall of Popolac (8:18) A New Seat in Hell (11:58) Shallow (12:48) CD2 Abandoned Car at the White Cliffs of Dover (8:23) Inside the Mariana Trench (5:20) Absent Friends (7:53) Stranded in the Hertzsprung Crater (38:33) Pre-order direct from this site from 1 November - all orders sent out early and include an exclusive postcard. | |||||||||
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26 SEPTEMBER 2009 : : Download Crow's Nest for FREE right now. The vinyl version is available to buy direct from here at the store page - a lush heavy duty vinyl, complete with handmade oversized obi strip, and bundled CDR containing an alternate version of the second track. This longer version comes with the vinyl only. Click HERE for the free download. More freebies to come really really soon. |  | |||
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You can now listen to full streaming TBTP tracks right here. All 5 albums up so far. Pretty soon we'll have every TBTP track up so you can listen to it here. Thanks. | ||
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CROW'S NEST: 12" VINYL + CD - NOW AVAILABLE Crow's Nest' is a 12" vinyl record - the A-side of which was part of an exhibition in Dublin (see below). Release date 1 June worldwide and available direct from here right now. 2 long pieces of music - much more abstract pieces than before, the medium offering the possibility to do something new. The record will also come with a CDR of the audio, but will be different, the 2nd track presenting a much longer version of the B-side track, 'Crow Sun'. Version of this on the 12" is 12'25", version on the cd is 15'31". For the 12" the first few minutes were cut out - you can be the judge as to which version is the better for it. CD version is also mastered differently. 12" in black disco sleeve with handmade wide obi-strip style wrap around the release, all within clear pvc sleeve. Black-bottomed CDR with info on charcoal card within black envelope. 12 Euro including postage to Europe, 16 Euro worldwide. You can get this at the Store page right now. Limited world release - available from Rough Trade shop and Aquarius Records. | ||||||||||
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Review below taken from HEAD HERITAGE TO BLACKEN THE PAGES North (Colony) Anyway, enough of my complaining, instead we’re gonna commence this month’s review section by celebrating the return of Ireland’s To Blacken The Pages, whose new Colony Records album NORTH (www.colony-records.com) is something of a departure from when last they appeared here as January 2009CE’s Album of the Month. Retaining their huge ambient cavernousness, the afterburner buzzsaw guitars and all of the ponderous ‘limping storm God’ elements of previous releases, this new incarnation of To Blacken the Pages reminds me of an even more alienated Residents during their ESKIMO period. And although NORTH features several shorter pieces, the odd intoned vocal and a whole new occasional percussive element that sounds like some great beast playing the Polar Ice-cap with pieces of 20-mile-long hollow industrial tubing, by the middle of this lonely record, all signposts have been long lost, the psychic frost and pack ice forcing listeners to bundle up in all their warmest clothing. It’s an essential sound and hugely useful to those of you looking to access your inner Titan without shelling out on the full Gore-Tex, snow mobile and huskies. | ||||
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Review below taken from The One True Dead Angel TO BLACKEN THE PAGES North (Colony) Sculptor (of both art objects and sound) Paul McAree returns with more epics of drone and reverb, but while the sound -- one part Skullflower to one part reverb abuse -- remains largely the same, there are some new elements in the mix this time around. The opener, "Crossing," fades in from absolute silence into a cavalcade of heavily-reverbed percussive sounds, sounding very much like a guitar being dropped repeatedly in the world's largest cave, while two tracks, "Give to the sea" and "Lowlands," feature vocals for the first time. The use of silence is the album's secret weapon; several of the songs begin with silence and take their time fading up and building to the inevitable tower of drone. "I am screes on her escarpments," the first epic song, opens with a more restrained version of the same sound strategy employed on "Crossing" and eventually blossoms into vast sheets of drone and feedback that billow for thirteen minutes like cosmic dust trailing in the wake of a comet. "Give to the sea" fades up into a ominous cycling drone and forlorn vocals that ultimately give way to more wailing feedback and writhing drones, while "Lowlands" -- another epic at nearly fifteen minutes -- opens with dark, clanging percussion that's eventually joined by clattering sounds, guitar notes repeating endlessly, and a steadily growing thickness in the mordant guitar sound. By the time vocals appear, nearly ten minutes into the track, the droning, distorted guitar sound is so enormous that the vocals appear submerged, buried under ten tons of guitar-driven fear. The best track on the album, though, is "To be Dead," in which the fiery blasts of feedback and furnace drone play out over a simple but hypnotic beat for fifteen minutes, lighting out for the far reaches of the cosmos, anchored only by the insistent rhythm track. The track also features some of his most bowel-scraping guitar, not to mention plenty of painful high-end feedback wailing. "Night Drive" is almost as long but not quite as apocalyptic, filled with drones that sound like wind roaring through giant pipes and more endlessly repeating guitar lines, a sound less about dread than painting pictures of abandoned satellites drifting through deep space. The album ends with "August," built around the same brand of percussive rattling that opened the album, neatly bringing things around full circle. As good as the band's back catalog is, this is by far McAree's best and most consistent release, and one of the best drone-rock guitar albums you're likely to encounter anytime soon. | ||||
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'North' now available to buy from Aquarius Records - if you're in the States, you might prefer to get your dose of TBTP direct from them. Review below taken from Aquarius. TO BLACKEN THE PAGES North (Colony) The third part in an ongoing series of blackened drone guitar missives from Irish one man slow and low wrecking crew To Blacken The Pages. Fans of the first two TBTP records (None and A Semblance Of Something Appertaining To Destruction) are already well versed in the bleak abstract soundworld this guy can conjure, fusing the low end explorations of groups like SUNNO))), Expo '70, Bohren, Slomo and the like, with something a bit more psychedelic and space-y. Sure, TBTP is capable of unfurling some planet crushing black hole heaviness, but also of tossing handfulls of notes into crystalline expanses of murky reverb, letting the various notes flutter and fall, before tossing out another handful. The first two tracks on North are perfect examples, "Crossing" and "I Am Screes On Her Escarpments", the first begins as a swirling almost static field of slow shifting reverb and delay, peppered with percussive thumps and creaks, sent careening into the ether, while shards of clean guitar, sounding a bit like super mellow Keiji Haino, unfurl like clouds of grey smoke, while underneath, a guitar rumbles and whirs, gradually becoming more and more rifflike, ringing out a bit chaotic and noisy, before slipping into the second which begins with the same sort of reverbed stretch of echoey thumps and creaks, before the guitar thickens into a crumbling corrosive wall of swirling chordal hum and keening feedback, a roiling blackened bit of guitar ambience, infused with melody and moodiness and shot through with strange high end streaks and swoops that are probably effected guitars, but almost sound like children's voices here and there. Quite haunting. The next few tracks take TBTP's sound in a different direction, the root again being shimmering guitars, but this time the focus is on the voice, a lazy drawled croon nestled down in the mix, that drifts along side the increasingly caustic guitar buzz resulting in a sound not unlike some strange Dead C / Roy Montgomery hybrid, a sort of sun baked noise drenched dronedirge slowcore. Dark and woozy and melancholy and way druggy and drowsy sounding. Later, "To Be Dead" introduces actual drums, and gets all propulsive, a lurching noise rock take on spaced out krautrock, but with the guitars in full on overdrive, a constantly swirling squall of feedback and psychrock freakout. And then the last two tracks are massive billowing clouds of coruscating buzz and skree, blurred into gorgeous multi hued smears of blown out guitar and a gorgeous hazy shoegazey drift, in fact the nearly 15 minute "Night Drive" might be one of the prettiest heavy guitar tracks we've heard in ages, anyone into Nadja or Jesu, will love it, it's like the slow motion metalgaze of those two outfits but stripped of drums and allowed to just sort of hover. So nice. Needless to say, the drone and dirge and doom obsessed out there probably already added this to their shopping cart (or if they didn't yet, probably should now), anyone who bought the other two records definitely NEED this too, and folks not necessarily into metal, but who still dig on dark drifty hazy heaviness might be pretty into To Blacken The Pages, North in particular... | ||||
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"Someone said once that my music sounded like it was made alone in a dark room - I guess it is! How a track gets made depends from song to song – I usually just pick up a guitar, hit the record and just start arsing about. I hate rehearsing stuff, hate having to re-do takes, hate having to learn any structures." To Blacken The Pages, a one man avant garde project founded by Paul McAree – a man anyone interested in the slightly more out there aspecs of Irish art and music would do well to look up. His most recent album, North, was released in February of this year and is the prolific Paul’s fifth release. Previous work has been hailed by Julian Cope, who described it thusly, “Creeping around the walls, seeping deep into your cupboards and drawers, the music of To Blacken The Pages dissolves linear time and swallows all misery whole.” Sounds like something I wanna know more about. Is TBTP Ireland’s answer to Sunn O)))? Is nebulous abstract sound collage really music? These are the things we try to find out... Connected: Firstly, the tough questions: What do you think you're doing? Call that music? What's wrong with an acoustic guitar, three chords and a rhyming dictionary?! To Blacken The Pages: Christ. I've never been interested in the “3 minute pop song”, or at least only sometimes. I'd buy a single and always give the a-side a quick listen before wanting to flick over to the other side and see what the band was really made of. Albums were the same - I could always barely hold back from wanting to skip ahead to the, like, second-last track where everyone's hopefully letting their hair down. C: What were the major influences which led you down the ambient/abstract path? Was it the likes of Dylan Carson (Earth) and Stephen O'Malley (Sunn O))), KTL, Khanate, etc.), or was it the voices in your head? Oddly, my influences came more from the likes of the Jesus and Mary Chain and My Bloody Valentine. JAMC's "Barbed Wire Kisses' has had more influence on me than any other record. I played 'Mushroom Head' so many times I wore the tape out. Other influences came later - its funny, as you start going down certain roads you notice other people making similar material. For example, I only belatedly picked up on Expo 70 because I was compared to them, but now, its like, yeah, that's so cool! C: Can you lead me through the creation of one of your songs? F'rinstance, a 13-minute epic like 'I am screes on her escarpments' - what comes first and how does the idea develop? TBTP: Someone said once that my music sounded like it was made alone in a dark room - I guess it is! How a track gets made depends from song to song – I usually just pick up a guitar, hit the record and just start arsing about. I hate rehearsing stuff, hate having to re-do takes, hate having to learn any structures. I usually just start and see where it goes. So then I'll have a central core around which I build other instruments. Sometimes other instruments will take the lead, 'The Urgency' for example, started life on the bass guitar first. Sometimes I'll have a general feel for something - I'm just in the mood to record something, but never quite sure how it'll work till I get the guitar out, other times, I'll have a real sense of wanting achieve something- the song 'Alien' was called Alien because I had watched the film on my own really late one night with a few beers, and afterwards knew exactly what I wanted to do, that is, in a pissed state, blow up my amp by pushing the damn thing way too hard!!! C: How much actual song-writing/structure goes into your music and how much of it is improvisation? TBTP: Mostly its improvised, but thats improvisng with some desire to to dress it on a structure. I've done a few completely structureless pieces, but I've never been entirely happy with them. At the back of my mind is something of a core which may or may not emerge as the song progresses. I guess I'm interested in music which teases with a sense of structure. C: What do you hope to achieve through your music? Personally, professionally(?) and so on... TBTP: Its the old fine line between noodling away in a dark room and being on an endless world tour! Right now I'm still happy to just have the opportunity to put out some music, as experimental as I want - and just knowing there are a small number of people around the world who like what I do blows me away. Having said that I'm going to mix things up a little bit soon - I'm working on a double album with Korperschwache, which is really great fun, and I'd like to do more of that. After 5 cds of just me, collaboration seems like a way of keeping off the cobwebs. I would like to play this music live too, but we'll see - there's a lot of pressure within the industry to perform live, and to my detriment I've been resisting it, as I've tried prove its not essential. But still, I'd like to unleash TBTP upon some unsuspecting gig-goers at some point. I'd also like to see what happens when other performers would step in and take on aspects of music and make it their own, creating a new dimension in a live setting. C: Can we expect you to appear as a guest on a Sunn O))) album anytime soon? TBTP: I doubt it! I don't know those guys. But what they do is cool. Sunn O))) are an interesting phenomenon - on the one hand they've helped to expand, bring attention and respect to what was a relatively small scene and expand it in many ways, and on the other they've been the focus of an incredible media expectation and benchmark against which all others are compared. The forthcoming media interest for their new album is astonishing, its been a rising reverence for the last few months now. As far as most media are concerned, if you hold a note for longer than 5 seconds you are a Sunn O))) wannabe and, ipso facto, shite. I can easily get fucked off about that, but I'm trying not to let lazy reviews get to me so much... C: How much drugs? Too much drugs? TBTP: Ah, tamazepam, bethedrine, halcion, seroxat, cipramil, tianeptine, restoril, sarafem, venlafaxine, escalitopram, cogentin, prozac, effexor, fluvoxamine, trilafon, citalopram, alaproclate, bupropion... No seriously, a cheap addiction to Neurofen is as heavy as it gets at the moment. C: Tell me about your other musical projects, Slaves of War Orphan Farm, curatorships, etc...? TBTP: Slaves is just me again - I was going to try and pretend it was 5 of us and get friends to pose as band members but in the end just couldn't be bothered. Slaves is more of a band idea, and I guess plays more of a homage to certain influences - Les Rallizes Denudes, German Oak, etc. I wanted to create a no-strings-attached anything-goes just-enjoying-the-music environment, in opposition to TBTP which at the time was having a 'somber moment'... I'm curator for Flood, a contemporary art project which was launched in 2008. At the moment its a venue-less space - we are commissioning artists to create work in a poster format which is then disseminated for free, though various galleries and pickup points, and is also posted out for free to anyone who requests it. Its an ongoing series, we'll hopefully keep producing 3 or 4 a year, as well as other projects. I'm also project manager/curator for Breaking Ground, the contemporary art scheme for Ballymun. We commission artists to create artworks in collaboration with or in response to interaction with the community in Ballymun. We commissioned the Hotel Ballymun project last year which saw the conversion of the top floor of a tower block into a hotel for one month by artist Seamus Nolan, and soon we have a huge bronze sculpture by John Byrne - a fantastic piece which will see the figure of tracksuited teenage girl from Ballymun on a majestic horse. Its going to look amazing, and completely turns on its head the idea of who these heroic statues are for. Well, here we are - local, everyday people can be heroes too. C: It might just be that I only recently discovered the world of drone, etc, but it seems to me that there's more and more interest in extreme or avant-garde music in the mainstream all the time... What are your thoughts on this? TBTP: Yeah, I guess there is - I can kind of stand back and watch the spectacle, and see it rise and fall. I can't help but feel the media attention is a fad of sorts, they'll find a new genre to lick soon. While boundaries seem on the one hand to have expanded, on the other hand things are pretty narrow - I keep getting referred to as being 'ambient black metal' or somesuch, which is as much to miss the point as it is amusing. I've been reading a couple of magazines, and its awful really, some really cool bands are getting thrashed by critics because they wake up one morning and decide they've had enough of all the sunn-wannabees (see above), write awful reviews and say what they now want is for some musicians to start indicating or leading the way out of the post-drone egg-basket. Pleeaaassseee..... C: What's next for TBTP and Paul McAree? TBTP: I'm working on about 40 - 50 new TBTP tracks at the moment - maybe a new release in the autumn. I'm hoping there might be a 12" record in May or June, just 2 tracks. And then theres the double album with Korperschwache, we're still recording so maybe October or November 09 for that. I'm in an exhibition in Draiocht in Blanchardstown in April and May which is loosely based on sound art - this will be a large installation of images, photocopies, 3 videos and an audio piece - its called Crow's Nest. The audio from that may appear on the 12" to come out in May. I'm curating a few more Flood projects this year - in March a poster of 38 drawings of tits called 'My Berlusconi' by Flavia Muller Medeiros and in May a project by Terry Atkinson - I'm particularly super-excited about this one as Terry is (at least in my opinion) one of the most important figures in contemporary art, so that will be a personal milestone. Hopefully from this autumn we'll also organise the first of several exhibitions in an actual venue - the plan is to find ad-hoc spaces for each exhibition, be they run down, derelict, unused spaces, etc. Should be fun... and a bit of work... http://www.toblackenthepages.com http://www.flooddublin.com/current.html http://www.breakingground.ie | ||
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To celebrate the launch of To Blacken the Pages' 5th CD, 'NORTH', we've posted a new video. ‘I am screes on her escarpments', the second track off the album, is a slow-burning film made up of footage of atomic bomb tests freely available through torrent sites on the internet. | ||
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NEW RECORD: "NORTH" NOW TAKING ORDERS AT THE STORE PAGE PRICE EURO €10 INCLUDING SHIPPING, ANYWHERE SPECIAL CD + TSHIRT OFFER EURO €15 ORDERS NOW SHIPPING!
COLONY RECORDS announces the release of TO BLACKEN THE PAGES’ fifth CD, ‘NORTH’, release date 9 February 2009. Building on from To Blacken the Pages’ relentless creative output, ‘NORTH’ sees the band step forward in a major way – significantly progressing the development of their sound. NORTH is TBTP’s most ferocious work to date, focusing on the dynamics of pure guitar overdriven sounds, while also witnessing a greater space and dynamic in the work. ‘Give to the sea’ sees McAree singing for the first time on a TBTP release, relaying a tender fear of the ocean, while backed up by a furious and ever rising swell of guitars. 'To be Dead', the title inspired by a Patrick Kavanagh poem, sees a deep drum machine and crushing bass knock out a deep pulse in the background while the guitars lock head to head in a 15 minute exploration of screaming harmonics, while 'I am screes on her escarpments' features a title borrowed from another Irish poet, Seamus Heaney. 'Night Drive' begins the ride out on this intense record, slowing the pace down but never once letting go of the ferocity within. Locked within this cacophony of noise is a beauty and tenderness which at once compliments and negates the other. |  | |||
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HEAR A SAMPLE AT LAST FM. CLICK HERE: HERE | ||
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Rock-a-Rolla review, Jan 2009 | ||
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New TBTP release finished, back from the pressing plant in a few days. Their 5th release, it's called 'NORTH" and will be released 9 February 2009. Sorry for the long wait, but Christmas is a bitch of a time to release records so we'll wait till the other side. New music from SLAVES OF WAR ORPHAN FARM coming soon. This will be a CDR 4 track disc. Will probably come out November 08. Unholy music with a bit of Les Rallizes Denudes worship thrown in, its a whole different vibe from the TBTP stuff. Check out the link to Slaves HERE. Hoping there will be some smaller scale CDR material from TBTP this autum winter too, just to keep us busy. TBTP currently working on masses of new material. As usual.
COLONY RECORDS RELEASES AVAILABLE FROM THIS SITE (we'll throw in a few bonus goodies just to make it worth Yr while to buy from us), AND ALSO FROM SEVERAL DISTRO STORES & SITES IF YOU PREFER: IN THE US: ARCHIVECD THE END RECORDS CRUCIAL BLAST (FORTHCOMING) AQUARIUS WAYSIDE MUSIC (FORTHCOMING) IN EUROPE: ROUGH TRADE SHOP LONDON ROAD RECORDS DUBLIN CONSPIRACY RECORDS (BELGIUM) FORESHADOW (POLAND) PLUS PLENTY MORE... NOT FORGETTING ITUNES & EMUSIC TOO... | ||
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